Onslaught Six wrote:Roberts actually has acknowledged this. He did some FB commentary that TFW linked the other day, and he had this to say:
The D.J.D. are the ultimate Decepticon loyalists. They passionately believe in Megatron and his ideals and so everything they do and say is steeped in Decepticon culture and iconography. Also, by giving them codenames we can have some fun down the line with regards to who they really are. The D.J.D. has a rolling, shifting line up. If and when Vos dies, they’ll recruit someone else and give them the same name. And it was in this way, no doubt, that Agent 113 got onto the team.
So Kaon isn't necessarily the dude's real name and identity, for example.
Okay, I admit, that’s actually pretty interesting, and I’m impressed that Roberts addressed that point. I like that idea that some of these guys maybe used to be more familiar characters, or that one of the other cast members of the book could get recruited onto the team later down the line.
According to that interview I linked above, this arc lasts for about three issues, so. I expect the DJD will fade back into obscurity after that.
I should clarify here that it’s less these guys and more Fulcrum who’s really grinding my gears. These guys are at least intended to be ‘special’, larger-than-life, story-specific characters. It’s why they’re shown taking out an ‘established’ badass like Black Shadow at the beginning, to put them over such characters in a narrative sense. Fulcrum, on the other hand, is just another one of Roberts’ pet fan characters that for some reason gets to trot around with a group of ‘real’ G1 guys, making me wonder why he had to be included at all.
(For what it's worth, I think we have an EQUAL amount of non-transformation in RID.)
I think that Prowl's defense there, (and this is definitely mine), is a book with non-TF ideas that is just being written using TFs. RiD could work in just about any sci-fi setting. It does not even need to be sci-fi. Barber is going to be doing non-TF, maybe even non-comic, stuff by the end fo the decade. Mark my worlds. Roberts....no so much.
Well for one thing, they actually do use transformation in RID. We see Bumblebee and Metalhawk going around the planet in their altmoes, Ironhide had to transform to deal with Cybertron’s new terrain when he went to visit Wheeljack, that sort of thing. I’m not asking for big, awesome road-warrior car combat scenes, but at least acknowledge that this is a species that can assume vehicle forms and would do that as part of their everyday existence. The Decepticons being thought to be mode-locked and them turning out not to be was actually a big plot point of RID. But over in MTMTE, it stands out as just another example of Roberts having trouble with the old rule of ‘Show, don’t tell’. He’ll have Ambulon exposit for a page with Ratchet about how he turns into a leg instead of just…showing him do that at some point. We get this big build up about how Tarn is supposedly harvesting transformation cogs to fuel his transforming addiction and then…no sign of it when he finally shows up. Roberts is just writing this stuff in because it amuses him with little regard for how it works in the actual story, and it’s not just limited to the transformation thing either. Remember First Aid’s fixation on collecting discarded Autobot badges? We never see him scavenging for them or anything like that, he just tells us about it. What about Rewind watching snuff films? We don’t see him in the middle of one when someone calls him up, he just tells us about it. There’s this thing called conservation of detail, meaning you don’t just put stuff like this in because, it has to be there to be used in the story and to make it all more cohesive, instead of just having a bunch of disparate red herrings metaphorically circling the characters at all times.
The other thing is that while RID can be light on the transformation side of things, that book is actually interesting and entertaining to me, so it’s harder to nitpick such things about it. MTMTE on the other hand, has a lot of stuff that annoys me, and this is just one more aggravating issue to bring up.
Dominic wrote:The art continues to annoy me. It looks sloppy and more than once it gave me trouble in terms of figuring out what the hell is going on. Prowl talks about G1 characters loolking the same, and that is a huge problem here.
I disagree. Milne’s I-can’t-believe-it’s-not-Roche art actually works better at keeping the otherwise boxy black-and-red G1 cast more distinct. There’s no way I’m going to mistake Red Alert for some other Sideswipe-y looking guy in this case. And characters are still recognizable, I recognized Flywheels straight off, for instance.
It really comes down to why Roberts is writing it so Rung survived. I am more forgiving of characters surviving or even coming back in TF because they are (mostlY) robots, which makes the "different rules" about being dead more acceptable. But, Roberts still needs a good reason to be writing what he does.
Admittedly, Rung being still alive gave Red Alert a half-decent reason to leave that data slug there so it could get picked up by…whoever (ten bucks says it’s Fort Max). Still feels a bit like Roberts chickening out on killing his favorite creation though.
The basic idea here is good. Information warfare has always been vital, but has only started to get serious consideration in the last few decades. Given how little has been written about it, I would be interested to see what, if anything, Roberts has to say about it. But, I want him to say something about it besides how kewl it is.
Similarly, the idea of warfare being seen differently by command (and the guys who are in the commander's inner circle) and the rank and file also has potential. Hopefully, Roberts will exploit that potential.
That’s my point, Roberts didn’t really have a reason to put it in there. He had some page space to fill, so instead of actually advancing the plot in some meaningful way, he invented a previously-unheard-of ‘special phase’ of the war because the idea seemed cool at the time. The datasphere thing would actually make for an interesting idea for a separate series that, yes, could explore some concepts about war and information and yadayada. Except that’s not what we got, we just got Roberts cramming it in as another overt detail that Roberts thought was so cool that he just *had* to get it down onto his printed page somehow.
What is wrong with new characters? You are one of the people who complains about getting endless comics about Optimus and Bumblebee and other 1984/85 characters. Well, now you are gettins something all new. So what if they are characters the writer came up with rather than new Hasbro characters? Neither Rung nor Fulcrum are over-powered characters. They do not come across as fan characters. Nor are they Marty Stus (characters that the author is clearly projecting on to).
First off, I should reiterate that I’m primarily a toyphile for this franchise, so part of my desire for new characters is that I’d like to see toys of those guys instead of another cluster of Bumblebees and Wheeljacks on the shelves. But the main context is within the idea of ‘new’ series and how I’d like to see those populated with new characters driving them, IE: For the next TFPrimeAnimatArmaCarWars, that we don’t get yet *another* reiteration of Optimus, Megatron, Bumblebee, Starscream, Soundwave, etc.
But in this case, this is the G1 era being covered, and there already ARE plenty of guys besides those guys who never got exposure and could use some fleshing out. It’s similar to my complaint about the recent Mega Man comics, actually, in that the G1 toyline has a TON of fresh characters ready to be mined for story use, but Roberts instead opts to throw in some made-up guys instead just because. We KNOW he knows enough to do the former, since his use of guys like Krok and Misfire are on that level here, but that just makes the inclusion of this Fulcrum douchebag even more puzzling, coming across like Roberts just wanted his getting-around fan-character to party with his favorite late G1 Decepticons.
Now, those comments that Six posted from Roberts do mitigate the DJC a bit, as does their role in this story, and I’m going to take a turn at hypocrisy and admit that I do really like Tarn. He’s well-defined, has a clear role in the story that he can fulfill (instead of being some cipher that Roberts chose to fill with a fan-character because), and the knowledge that he *could* be a legit G1 character under that faceplate helps to undercut his Original Character status. He’s also, frankly, really cool, with a Special Power that was actually well-demonstrated and fits what we’ve seen of his character, and a Decepti-patriotic fervor that makes him a little different than what I’m accustomed to from Big Bad Decepticon Psychopaths. Anyone else read him as being voiced by David Kaye? If Hasbro does look into making more comic guys into toys a la Drift and Straxus, I’d like to see this guy among them.
Exactly. Barber seems to have an idea or two that he is using TF (the book he is paid to write) as a way to get out there. Roberts just seems to want to write about Transformers, and has some vague ideas that he throws in to have an excuse to write about Transformers. Roberts would make a better writer for a one-shot or back-ups in an annual or quarterly.
Indeed, Roberts did great on that two-issue lead-tie-in to Chaos, I still cite it as my favorite comic of the year. But given free reign over his own ongoing…he seems to be getting overwhelmed by getting too many toys to play with, being unable to focus on telling the story without taking us on a tour of the notebook he scribbled TF ideas down in in high school. I can understand wanting to just write about Transformers, I don’t mind reading about Transformers, but I need a little bit *more* than that.
His writing does come across as fannish. He had a remarkable showing on "Last Stand of the Wreckers". But, he may not have much steam outside of "writing about Transformers".
Part of me wonders if it helped him to have the more idea-driven Roche reeling him in on that one. I’d love to see just Roche writing again, Spotlight: Kup is a comic I will never shut up about.
Dom
-just reading it as filler....
Ditto
Onslaught Six wrote:I have to wonder how many people will complain about Roberts kililng Black Shadow and how many would have complained if a Costa or a McCarthy killed him off.
I'm only complaining as much as I am about him killing, say, Skyquake. Ever since learning about him, I've had a certain affection for Black Shadow--he just has a cool design and a cool name--and to see him...well, not 'wasted,' but to see him killed off without really learning too much about him or seeing him do much is a little...disheartening. I mean, let's pretend that instead it was, say, Weirdwolf. Weirdwolf is a guy who's had a good enough amount of exposure--he's no main character, obviously, but if I talk about Weirdwolf, you know who I'm talking about. Comparatively, Black Shadow is kind of a blank slate, and Victory aside, he hasn't done much, and it's unlikely he's going to show up in any other mainstream TF fiction. IDW is pretty much the only chance he has to shine, and to kill someone off without really showing them Do Stuff...it's sucky, a little.
I’m not complaining because I wasn’t reading the book for Black Shadow in the first place. I fully intend to watch Victory at some point, so I’ll get to see him Be Cool there, so everything’ll be fine.
But I can get over it, you know, because as much as I might dig Black Shadow as an obscure dude, someone might have the same feelings for, again, Weirdwolf, and if Weirdwolf got killed off without much IDW exposure, they'd be equally upset. So I can kind of move past it and acknowledge that bigger things are at play. In the long run, I didn't mind Skyquake's death, because the entirety of Wreckers was awesome.
Treadshot, a peculiar favorite of mine, got offed in a single panel in LSotW, and I didn’t complain either because, like you said, awesome comic. Like they were going to use Treadshot for anything decent anyway.