OMD on the other hand was done specifically to set Spidey to "back then" by changing continuity.
Actually, it did not change continuity. That is part of the problem. It did, but it didn't.
Are those my only two options? Because there are several points I have for defining post OMD as terrible beyond those...
No, of course not. You have many option. I was just guessing with two of the obvious ones. Please elaborate.
It's not that I don't want change and progression, but I don't want the abrupt drastic kind of change that you seem to be advocating. I don't want to read the same plot over and over again any more than you do, but I do like to pick up a book ten years later about Batman, to pick one example, and find the character recognizable.
I can accept change if I have been away from a book for some time....so long as the "change" does not look like the book did when I started reading it or sooner. For example, if I stopped reading "Captain America" in the 90s, (and who could blame me?), I do not want to pick it up in the mid-aughts and see Bucky running around.
I do not want change for the sake of change. In fact, it needs to be carefully considered before being done, especially if it is going to stick.
And that's why saying "we'll always have old books to go back and revisit old characters" doesn't always work. I often find golden and silver age comics unreadable. There are exceptions, but often the plots and dialogue are just too corny or simplistic, even if I like the characters quite a bit. At least modern comics shoot for something more.
There is a pretty good sized window of "old but good comics" though. 1970s DC was good, even if one takes "Hard Travelling Heroes" into account. The late 60s and 70s gave us O'Neil/Adams "Batman". I would never seriously argue that people look to Gardner Fox or Stan "the hack" Lee for anything other than examples of how not to write.
Astro City's probably the most successful superhero story to have a "real-time" kind of thing. Characters may come back from the dead over there, and they may get up to all the usual superhero shenanigans, but by golly, they do it while living in real times. Since Busiek does stories set in whatever decade he feels like, that place really feels like it has a past. Man, I should read more of those.
This is another solution. As O6 pointed out, there is no reason not to have stories set in-context while in the past. Instead of "Superboy: The Adventures of Superman when he was a boy", we could have "The Adventures of Barry Allen when he was alive".
Sure, you get Peter open to reprisal from villains or whatever, but y'know, cops don't go around with secret identities, they don't seem to have to worry about such things.
Residency requirements and all....
Most cops are very much against such things. As one told a friend of mine, "Never live where you work."
Dom
-needs to track down some "New Universe" and Valiant books.....