Comics are Awesome III

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andersonh1
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Re: Comics are Awesome III

Post by andersonh1 »

Sparky Prime wrote:Why does Q merge with a Prophet?
The story sets it up as Q being unable to use his power inside the wormhole. He needs the Prophet to allow him to operate in that environment. Again, not sure I buy that, but I can't think of anything in any episode that would explicitly rule it out either. We know the other Q can strip Q of his power, so maybe being on the home turf of the Pah Wraiths can have the same effect.

I can see how the writers got to where they did by extrapolation from existing episodes. And really, if they can't alter some things with Trek in the reboot timeline, where can they?
You'd think Kirk and crew returning to the past would be able to effect some sort of change on that future. Maybe not necessarily undo it completely, but effect some change.
Spock does wonder if the fact that they visited the future and that both he and Kirk remember it (though the rest of the crew doesn't) will change things. So there's a bit of a hope that things will turn out different, but no certainty by any means.
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Re: Comics are Awesome III

Post by BWprowl »

Sparky Prime wrote:
Dominic wrote:This could turn in to a replay of things we have seen before. But, in some cases, (such as Stacy's death), the old stories might be improved with modern writing and art. (Spider-Man's jabbering on the bridge while holding her corpse is one of the stupidest moments in comics.)
No. That's one of the most memorable and saddest moments in comic book history.
Are we talking about the same part here? With Spider-Man angsting at the Goblin referring to her as "My Woman" the entire way? Yeah, no, I'm with Dom on this one. 'The Night Gwen Stacy Died' is a landmark event in comics for a lot of reasons, but when you actually read it, you realize what a three-car-pileup of dissonance it is between purple dialogue and shallow storytelling choices, beginning and ending with existing purely for shock value with little payoff other than to clear the way for Peter to hook up with MJ. Otherwise, it's yet another case of an established character getting offed just to surprise the audience. One can't complain about, say, Kyle Rayner's girlfriend getting stuffed in the fridge, then turn around and praise this story.

"You killed my woman, Goblin!" For real?
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Sparky Prime
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Re: Comics are Awesome III

Post by Sparky Prime »

andersonh1 wrote:I can see how the writers got to where they did by extrapolation from existing episodes. And really, if they can't move forward and do some new things with Trek in the reboot timeline, where can they?
Does it explain how/why the Dominion came through the Wormhole so much earlier in this timeline? I don't mind them going in a different direction with the altered timeline (given the movies really haven't thus far), but that doesn't mean I want to see it end with a doomsday scenario for the Federation.
Spock does wonder if the fact that they visited the future and that both he and Kirk remember it (though the rest of the crew doesn't) will change things. So there's a bit of a hope that things will turn out different, but no certainty by any means.
Kinda sounds like the end of "All Good Things", where Picard remembered how future events played out and told the crew about it. Although things did not end up playing out the same way at all after that anyway.
BWprowl wrote:Are we talking about the same part here? With Spider-Man angsting at the Goblin referring to her as "My Woman" the entire way? Yeah, no, I'm with Dom on this one. 'The Night Gwen Stacy Died' is a landmark event in comics for a lot of reasons, but when you actually read it, you realize what a three-car-pileup of dissonance it is between purple dialogue and shallow storytelling choices, beginning and ending with existing purely for shock value with little payoff other than to clear the way for Peter to hook up with MJ. Otherwise, it's yet another case of an established character getting offed just to surprise the audience. One can't complain about, say, Kyle Rayner's girlfriend getting stuffed in the fridge, then turn around and praise this story.

"You killed my woman, Goblin!" For real?
Where does he ever refer to her as "my woman"? When he's angsting at the Goblin, he says "--you KILLED the woman I love--", he doesn't say "my". And it's not like Peter hooked up with MJ right after this story either. "The Night Gwen Stacy Died" was published in the early 70's, long before they regularly killed off characters for the shock value. And she's one of few comic book characters to actually stay dead (at least in the 616 universe), aside from a clone or two who I think have since all died. It's nothing like Kyle Rayner coming home to find his girlfriend murdered and stuffed in a fridge. Peter was actually there, still trying to save Gwen, and the implication is that he was the one that accidentally killed her in trying to save her. That's not something they generally do with the heroes, even today. It's a very iconic story.
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andersonh1
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Re: Comics are Awesome III

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Sparky Prime wrote:Does it explain how/why the Dominion came through the Wormhole so much earlier in this timeline? I don't mind them going in a different direction with the altered timeline (given the movies really haven't thus far), but that doesn't mean I want to see it end with a doomsday scenario for the Federation.
Neither do I, but I'd rather have hints that things will change than the too common "we've altered the timeline back to where it should be, yay us" ending.

I don't think they ever explain why the Dominion came through early.
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Re: Comics are Awesome III

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Sparky Prime wrote:Where does he ever refer to her as "my woman"? When he's angsting at the Goblin, he says "--you KILLED the woman I love--", he doesn't say "my".
Actually, he does:
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And another:
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And it's not like Peter hooked up with MJ right after this story either.
The story literally ends with Mary Jane locking herself in an apartment with a grieving Peter.
"The Night Gwen Stacy Died" was published in the early 70's, long before they regularly killed off characters for the shock value.
So you want to give credit to this exploitive mess for starting that idiotic trend?

Really, if the point of it wasn't shock value, and it wasn't to clear the way for Peter to hook up with MJ, as you claim, then at the end of it, what WAS the point of this story? To build the Green Goblin up as a true, monstrous villain to Spider-Man? Can't, he dies in Part 2 of the story. Was it to give Peter a motivating death to carry through his actions? Pretty sure he already got that when Uncle Ben got killed in his origin story. So...nothing. The story exists purely for attention-grabbing shock-value, the writers simply proving that they *could* do something, without thinking about why. It's iconic in that role, in that it paved the way for more nuanced storytelling where heroes didn't strictly always win and bad things could happen, but that still doesn't mean it deserves any credit for being a good story.
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Sparky Prime
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Re: Comics are Awesome III

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BWprowl wrote:Actually, he does:
Actually, that's from the issue after "The Night Gwen Stacy Died", "The Green Goblin's Last Stand". And I'd hardly call him saying "my woman" just that one time "the entire way" like you'd claimed.
And another:
"My lady" sounds like something a chivalrous character like Silverbolt would say, especially in the context here of Peter acting as the avenging hero.
The story literally ends with Mary Jane locking herself in an apartment with a grieving Peter.
She just closes the door to stay and grieve with Peter. He'd told her to get out because he didn't believe she was "torn up" about Gwen's death, saying she wouldn't even care if her own mother had died, given this carefree attitude MJ always presented at the time in the comics. It was a turning point in their friendship certainly, but they didn't hook up. It would be many years before they even started dating, after Peter had a relationship with Black Cat.
So you want to give credit to this exploitive mess for starting that idiotic trend?
No, I'm saying it's not part of that idiotic trend because it happened long before that sort of shock-value storytelling was a thing. I tend to think of the death (and return) of Superman in the 90s as the start of that trend.
Really, if the point of it wasn't shock value, and it wasn't to clear the way for Peter to hook up with MJ, as you claim, then at the end of it, what WAS the point of this story? To build the Green Goblin up as a true, monstrous villain to Spider-Man? Can't, he dies in Part 2 of the story. Was it to give Peter a motivating death to carry through his actions? Pretty sure he already got that when Uncle Ben got killed in his origin story. So...nothing. The story exists purely for attention-grabbing shock-value, the writers simply proving that they *could* do something, without thinking about why. It's iconic in that role, in that it paved the way for more nuanced storytelling where heroes didn't strictly always win and bad things could happen, but that still doesn't mean it deserves any credit for being a good story.
Green Goblin was the first super villain to learn Spidey's true identity, and attacked him by attacking his loved ones. It was really a rarity in which it actually showed what could happen if the villain knew who the hero was. With a secret identity, the loved ones of the hero are generally targeted out of coincidence, or otherwise something that has nothing to do with the hero themselves, but this story was about the consequences of the hero directly. And that is a big theme throughout the Spider-Man comics. I would equate Gwen's death to being as much of a motivational factor for Peter as Uncle Ben's death was, albeit in a different aspect for Peter and his personal life. Unlike Uncle Ben, it was a consequence of Peter being Spider-Man rather than having the power to do something yet not doing anything about it, like letting the Burglar get away only for him to end up murdering someone Peter cared about out of pure coincidence. It wasn't merely shock-value like you claim and it's something that still effects the character even today given the lessons he learned from that story. It's a great story, and understandably widely seen as one of the most iconic comic book stories of all time.
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Re: Comics are Awesome III

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I don't think they ever explain why the Dominion came through early.
Maybe a result of Vulcan being destroyed? The loss of a major power might make the Alpha Quadrant look provocatively weak. (I dunno. I did not read the comic in question.)

Actually, he does:
Ah, the 70s.

I like when Spider-Man is on top of the tower yelling and screaming while the Goblin does.....nothing to attack or escape.

The story literally ends with Mary Jane locking herself in an apartment with a grieving Peter.
Wow. Mary Jane McBeth huh?

Ya know, I have only ever read some of that arc (mostly focusing on "the big scene"). Somehow, I missed that scene.

The story exists purely for attention-grabbing shock-value, the writers simply proving that they *could* do something, without thinking about why. It's iconic in that role, in that it paved the way for more nuanced storytelling where heroes didn't strictly always win and bad things could happen, but that still doesn't mean it deserves any credit for being a good story.
Actually, Conway is on record as saying that he killed Gwen Stacy because she was boring to write and it was the best way to get rid of her. (Having her just break up with Peter would have been forced.) He was actually surprised that the fans were so upset, which undermines the idea of it being a question of shock-value. Conway was not even thinking in that direction.
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Re: Comics are Awesome III

Post by Sparky Prime »

Dominic wrote:Maybe a result of Vulcan being destroyed? The loss of a major power might make the Alpha Quadrant look provocatively weak. (I dunno. I did not read the comic in question.)
When the Dominion was first introduced in DS9, they made it pretty clear they were a force that could overwhelm the combine forces of the Alpha Quadrant already. So I doubt the loss of Vulcan would have had that big of an impact. Really, the Dominion in DS9 had no interest in the Alpha Quadrant until they detected ships coming through the wormhole invading their space.
I like when Spider-Man is on top of the tower yelling and screaming while the Goblin does.....nothing to attack or escape.
The Goblin does escape at that point though... Only for Spidey to track him down to a warehouse in the next issue to avenge Gwen.
Wow. Mary Jane McBeth huh?

Ya know, I have only ever read some of that arc (mostly focusing on "the big scene"). Somehow, I missed that scene.
Well that scene BWprowl is talking about doesn't take place in the same issue, it's the issue after that. And they don't hook up, she's just there to grieve with Peter.
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Re: Comics are Awesome III

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Sparky Prime wrote:When the Dominion was first introduced in DS9, they made it pretty clear they were a force that could overwhelm the combine forces of the Alpha Quadrant already. So I doubt the loss of Vulcan would have had that big of an impact. Really, the Dominion in DS9 had no interest in the Alpha Quadrant until they detected ships coming through the wormhole invading their space.
I'm not sure they were aware of the wormhole's existence. Even on the Alpha Quadrant side, it was just a Bajoran legend until Sisko and Dax actually found it. After that, various groups began using it to get to the other side of the galaxy and it was those incursions that made the Dominion aware of the Federation in the first place.

It's possible that some chain of circumstances resulting from the destruction of Vulcan led to the wormhole being discovered earlier than in the Prime timeline. That's certainly a pretty major divergence from the original timeline. But so many other things are different just in the two new Trek movies we've seen that there could be any number of reasons. The Federation is more militarily advanced in new Trek and has some tech they didn't have, so it's possible that exploration of the quadrant proceeded faster and the wormhole was discovered much earlier. And since that would have happened before the Klingons decimated the Cardassian fleet and economy, the Cardassians would have been far stronger than they were in the Prime timeline, making the Cardassian/Dominion alliance a lot stronger militarily.
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Re: Comics are Awesome III

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andersonh1 wrote:I'm not sure they were aware of the wormhole's existence. Even on the Alpha Quadrant side, it was just a Bajoran legend until Sisko and Dax actually found it. After that, various groups began using it to get to the other side of the galaxy and it was those incursions that made the Dominion aware of the Federation in the first place.
Hard to say, I don't recall them ever actually mentioning when the Dominion first became aware of the wormhole in the series. Although I do remember there was a race on the Gamma Quadrant side that also had a mythology based on the wormhole, so that was not exclusive to the Alpha Quadrant side. And on one of the DVD behind the scenes features, the writers talk about how they had this idea the Dominion had been aware of the Federation even before the discovery of the wormhole, but they weren't going to do anything about them until they reached their space, which the wormhole only expedited. Even from what we see in the show, ships had been traveling through the wormhole for about 2 years before the Dominion made themselves known to the Federation. They were in no hurry to confront the Federation, so why would that change in the altered timeline?
It's possible that some chain of circumstances resulting from the destruction of Vulcan led to the wormhole being discovered earlier than in the Prime timeline. That's certainly a pretty major divergence from the original timeline. But so many other things are different just in the two new Trek movies we've seen that there could be any number of reasons. The Federation is more militarily advanced in new Trek and has some tech they didn't have, so it's possible that exploration of the quadrant proceeded faster and the wormhole was discovered much earlier. And since that would have happened before the Klingons decimated the Cardassian fleet and economy, the Cardassians would have been far stronger than they were in the Prime timeline, making the Cardassian/Dominion alliance a lot stronger militarily.
Well we do know from 'Into Darkness' that Starfleet was stepping up their exploration in response to the destruction of Vulcan, leading to the earlier discovery of the Botany Bay. But still, Bajor was considered to be frontier space (as Dr. Bashir calls it) by humans when DS9 started. I kind of find it hard to believe Starfleet would keep up that pace over the next 100 or so years. Especially when they're rapidly headed towards a conflict with the Klingons, and TNG/DS9 mentioned a war with the Cardassians that took place sometime before TNG began, and who knows how many other conflicts that would severely limit the exploration Starfleet could do.
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