I want apologize again to the members. I lost my temper last night. I did not scream "you lie!" in the middle of a meeting. But, I was still out of order, not unlike 90% of the House of Commons.
I think that counts as outright attacking a moderator, doesn't it? ...Do we have rules against that?
There are no specific rules on this, as there has not been a need for them.
In any case, moderators would *not* receive special protection even if such rules were drafted.
thought putting him on ignore would not only hide his posts on the forum proper, but also block him from PMing me
I have not sent you any messages actually.
it has no principle, it has "overly-humanized" characters and stories focused more on them and their lives than some unifying system that every other aspect of the show is forced to conform to; it has virtually everything that he hates, in fiction, and has nothing in it that he likes, so why is he a fan of it, or a moderator on a forum about it?
If I wanted to be really nasty about this, I could argue that you are not a good fan.
There are TF stories that have ideas beyond "big robots am teh awsum".
"Reign of Starscream" is a recent example. Ditto for "All Hail Megatron". I am not sure which I like better. But, one of those is possibly the best thing I read from IDW. If you choose to ignore those, that is your decision. (By the way, I asked Mowry direcctly, and he confirmed I was right in my reading of RoS.) So far, Nick Roche has been pitching pretty high, and pretty accessible.
You will notice, I do not go on and on about how great the G1 cartoon, (aside from a bit that is good here or there), is. Nor do I praise BWII/Neo much.
There are stories I read for lower end variables. I started reading "Dark Avengers" largely for Bendis' dialogue, (which I saw in other books). The basic premise, (which I will likely post more about when the friggin' book ends in a month or two), appealled. I would be lying if I said I would not miss Osborn and Hand going back and forth. And, I like how Bendis works in subtle bits of realism into Osborn's dialogue and business model. But, it is the basic premise that has me interested.
And I have never, in my life, heard of ANYTHING like the shit this guy is touting as being the "real" way something should be written. NONE of the teachers I've had on literature has proposed what he's saying as the right way of writing a story, NONE of the good media that I've seen follow that formula, and those that I've seen that DO are overly preachy and sucktastic.
New ideas are scary. And, yeah, I am not the guy who is going to buy your book. And, I wager that you are not the guy who would have bought/read the publications I have worked for, locality aside, despite the fact that my "stories" had very colorful characters. (Granted, some of the "characters" would likely have disputed the truth of what I wrote, but anyway...)
I do understand fiction. Just check the comics thread. I tend to see it as more useful when written in certain ways. There is a huge difference between writing fables or polemic (as Ralph Peters does), and simply articulating an idea (which I was arguing for).
"Beast Wars is preachier, because the villains are more evil"
What I was getting at was that BW was arguably preacier because it just said "dese is good guyz and dese is da bad guys". "Beast Machines" gave characters on both sides credible moral ground.
toyhacks" (whatever that is; the way he's using it, sounds like a derogatory term for "moronic fanboy wasting away in his parents' basement instead of getting a clerical job at the local courthouse)
Toyhack is the phoenetic spelling of TOIHAAK, (The One I Had As A Kid). The term refers to people who think that the franchise or hobby of their youth, as it was then, is the best it ever way. This is similar to the fixation on a past, (often imagined), golden age some people fixate on. (Oh, the 50s were so much better....really. There was no social strife, well, unless you were black or something.)
Speaking as son of MA, I resent the jab at guys who take hack jobs. (Those clerks can actually do *really* well even without going off the books. Do not knock it.)
Also: This is why I love Beast Machines. It's got enough stuff in it that it *can* be discussed ten years after the fact. Beast Wars? Nobody really has anything to say about that show other than, "Yeah, I guess it was kinda good. Sometimes."
If you don't put a priority on the characters, the story turns out flat, uninteresting. I don't see how there can be 'too much priority' placed on the characters honestly or how that's not reasonable or healthy. Healthy stories have well developed characters.
As stated elsewhere, making characters moral ends unto themselves is putting too much priority on them.
They are one part of the story. But, the story has to have them doing/reacting to things. They have to be someplace. And, setting can be as important as character in drawing a reader in.
In the end though, characters are constructs that exist to serve the writers/copyright holders. Nothing more. Not writing something on the basis that it would not be in the characters's interests is foolish, (unless of course the story in question would harm the character in some editorial way, such as making Speedy a punch-line in any number of jokes).
Dom
-actually listens to NPR, reads The American Conservative and the NYTimes.