So, if the story is an author tract, that's good, but if the story has "nothing to say" as far as what the writer's own personal feelings on a certain subject, that's bad? Bullshit; a lot of the greatest stories out there focus on characters and events, instead of some stupid "moral" that the writer felt needed to be pushed. Do you think Harry Potter or Citizen Kane or Titanic would've gotten as much praise if they were propaganda pieces for the evils of magic, the corruption of the media, and boat safety, respectively? I don't think so.Dominic wrote:I am a terrible person. Worse, I am a terrible fan.
Tools still need to be well-made. Cases still need to be well argued.of characters in a good story, considering them little more than pawns to move on a chessboard toward a certain goal, or mere mouthpieces to press the message that you so illogically insist a show should have, yet you outright condemn characters that fit that view like the Captain Planet villains,
The problem with the characters on "Captain Planet" is that their motivations simply did not make sense unless one assumed tremendous petulance of the sort that would generally keep somebody from doing much of anything, (or being much of a threat to anything important). That sort of strawman is so easy to argue against that it is not worth making a case.
I give points when writers have something to say. But, they still need to make a good case one way or the other.
If the writer is just writing about fictional characters and events, what is the incentive to stay interested?
The incentive to stay interested in a story written about fictional characters and events are all about how those characters and events grow and evolve, the living, breathing world that stories SHOULD be; shows like Transformers are ESCAPISM from the real world, to look into alternate realities and unusual cultures and fantastic voyages; we don't want some moral bullshit snapping us out of the story and beating us over the head over how we should recycle, or rebel against evil corporations, or whatnot, and if the writer really wants to explore those issues, they have their settings, characters, and events to explore them IN. As I said, Beast Wars explored quite a few debates and morals in their seasons, by pegging them with a character or situation ALREADY PRESENT in the world that best fits it, and using their experiences and their emotions to explore it, and it WORKS; it's not heavy-handed, it doesn't feel preachy or forced on the reader, and it's easier for us to associate with, because it's a character we can relate to that's experiencing it and giving their thoughts on it, not some mindless automaton that is merely going through the motions to say "Hey! Here's the moral you need to be learning! Go learn it!"
And, as I said, the villains of Captain Planet were representatives of the "wrong" side of the environmental argument, and thus HAD to pollute for no reason other than to pollute, to show how evil polluting is; the heroes did the EXACT SAME THING with their "environmentalism is good" position, which makes them JUST as strawman as the villains.
No, they didn't have different goals; as you stated above, all of them were motivated by the goal of fulfilling their loyalty to either Megatron or his technological perfection; Thrust got pissy when his fellow Vehicons left, because he was too loyal to Megatron and his cause to understand why anyone would want to leave, Silverbolt got pissy because he enjoyed the STEREOTYPICAL villainy he did under Megatron's command, Tankorr continued to assume Megatron's plan for himself, after he broke free, and Obsidian and Strika was solely defined by their loyalty to Cybertron, which meant they were loyal to Megatron and his goals. THAT IS THE PROBLEM WITH THEM: they have virtually NO OTHER AMBITION other than fulfilling the theme of subservience vs. free will/nature vs. technology. As you stated, they were mere tools used to push that bullshit on the viewers, and their "personalities" were only developed enough to make them more animated and distinct from the other drones, and that's IT. Seriously, take away Jetstorm's sadism, or Tankorr's hulkspeak, and they're virtually the same as the other mindless drones that they command. They have no personality or goals that DOESN'T have to do with the message of the show, and as such, THEY ARE NOT COMPELLING OR UNIQUE VILLAINS, IN THE SLIGHTEST.As stated above, the different Vehicons had different goals, most of which illustrated some part of the free-will/subeversion themes mentioned elsewhere.because they have the goal of "technological perfection" that they use to justify their evil,
...that's the dumbest thing I have ever heard you say on here, bar none. So I guess stories like Star Wars Trilogy (original), Frankenstein, the original Halloween movie, The Lion King, Wicked, Cyrano de Bergerac, Macbeth, To Kill a Mockingbird, the entirety of the DC Diniverse, etc. are all crap, because they DO focus on the characters, and they DO use them as ends unto themselves, right? Apparently, we can't explore the father-son dynamic of Luke Skywalker and Darth Vader, the loss and obsession of Batman, or the development of Simba from petulant child into capable adult, if they're not used as tools to push some after-school special moral on the viewers, right? What kind of an idiot do you think we are?Characters are over-humanized when writers or fans start viewing them as ends unto themselves.How can you "over-humanize" a character by giving them their own needs, wants, and desires beyond the rhetoric dogma that they're supposed to be following as per the show's message?
Well, you certainly haven't shown off ANY of those traits, with your dumbass posts, on here. Seriously, half of the shit you've posted in both this thread and the Oracle thread have been about how Ted Turner-style aesop writing is and should be what qualifies as good storytelling, while the other half are more or less badmouthing on how terrible both shows are. And, from what I've heard from other people talking about your posts, you don't have that high of a respect for ANY series in this franchise. So, excuse my GED-level ignorance, but I have no idea who gave you that degree, but as I, Onslaught Six, and Sparky Prime have stated, that is not how any of us were taught was how you wrote a good story; characters and story come first, and the morals and messages you want to convey come second, not the other way around. And from what you've demonstrated and what I've heard of your knowledge and respect for the franchise as a whole, if I was an administrator, I'd fire your ass on the spot, because you obviously don't represent the board or the franchise it's built to talk about in any capacity worthy of being a moderator; you don't just disagree with people on some things, you slander most of the stuff talked about, on here, and call them crap.I will renounce my degree in English, (with an emphais on literature) as soon as I get home tonight.You have no concept of good writing or story structure, and it's clear from your statements on both this and the Oracle's Plan thread that you have very little, if any, respect for the franchise as a whole.
I will destroy all of my TF comics and toys, even the ones I like. Good bye Sunstreaker. Good bye AHM. Good bye "Reign of Starscream". I am not worthy of them, and should not get any benefit for getting rid of them any other way than by destroying them. I am a terrible fan. Woe is I.
Considering your attitude that personal goals are bullshit, unless they're unselfish and aiming toward "a higher purpose", then I suspect you DO expect your friends to repress their ambitions, and wish failure and misery on them if their intentions aren't "pure". Or maybe you just use them as tools to achieve your OWN goals, like you insist storywriters do with THEIR characters.I have to wonder if you hold that same assertion with how people should act IRL; if they're not working toward some unifying spiritual goal and repressing their own inner ambitions and desires to do so, they're useless to you. How sad.
I do tend to associate with people who have some kind of understanding of principles and ideas. Why would I expect my friends to repress their ambitions? Why would I wish failure and misery upon my friends? Hell, I work in adult ed, contributing (if only in a small way) to people achieving their goals.
Clearly, I fail at this.
Dom
-might have to rethink his life!
You have no respect from me, whatsoever; these two discussions have shown me you have too shallow and too uncaring and uninformed of a view in both literature and Transformers for me to take you at all seriously as a mod, on here. If only I could put mods on ignore.