In this case, the tool is being misused. Defining a character is part of telling a story or making a case. The problem here, as I said a few posts back, is that there really are no characters in TF with the needed stupidity to do what Prowl did.Clearly Costa has a use for Prowl as a literary tool in this story and you've consistently said that that's all you care about in regards to characters, so by extension this should be right up your alley (especially since Costa seems to actually have something to say). This is what I've been saying in the comics thread, if a character's value only lies in their utility to the writer than why even bother defining them?
Part of the characters serving the story and writer is that they have to fit where they are used. In other words, defined characters can be more useful. But, it behooves the writer to use the characters carefully, not out any absurd sense of obligation but out of a practical need to preserve the tools of their trade. Yes, characters can be replaced, but that can be difficult and/or time-consuming. (Or it can just be clumsy and stupid.)
Prowl was not defening himself agains the humans, he was defending Breakdown (another genocidal enemy) against them. Like I said, if Prowl was protecting an Autobot, that would have *almost* made sense. But, Prowl got all angstry about poor Breakdown and how those mean humans were killing TFs.Wait, defending yourself against a genocidal enemy is intellectually and morally bankrupt?
O6 more or less explained the definition of soft sci-fi. But, he forgot one thing, (ironically, the thing that prompted my comment), which is that soft sci-fi is more likely to give the characters convenient lapses in judgement or morals as the writer needs them to, resulting in normally intelligent or principled characters doing something really stupid to move the story along.
The problem with hard sci-fi is that it is *very* hard to write, goes over much of the audiences heads, and most of the guys who can do it well can find more profitable and enjoyable work elsewhere. (Just consider the amount of expertise one would have to have across several fields to write such a story.)
Dom
-sees nothing wrong with the soft scifi genre.
