http://www.comicbookresources.com/?page ... e&id=43936
Since issue #1 of "RID," we've been trying to establish a new status quo -- a difficult-to-maintain, tense, post-war peace. The idea has been, from the characters' points of view, to move past war -- to try to live together in some sort of harmony.
As you might guess, Megatron doesn't want that. He wants the old status quo -- he wants war, and he wants to win that war. It's a battle not of Autobot versus Decepticon, but of old versus new.
His plan, though, is big and brutal. The action gets bigger and bigger and just when you think it's as nightmarish as it can be -- it gets worse.
https://www.facebook.com/notes/transfor ... 5676140299Prowl was my first "Transformers" toy -- he's always been my favorite for that sentimental reason, but I really liked what Simon Furman, Nick Roche and James Roberts had done with him in the IDW universe. Mike Costa had him play a big role in the ongoing series that he wrote, and I loved Mike's take on him a lot. I thought all four of those guys wrote a character who demonstrated a lot of different facets of personality, but to me they all made sense together. So I really wanted to put him through the wringer in "RID." He's my favorite, so he should get the worst of it, right?
Arcee and Starscream have been my favorites to write, but a big part of both of them is that I know what they do in the next few issues, and that's always played a part in why they were doing what they were doing.
http://tformers.com/transformers-tramsf ... /news.htmlQ: Can you say much about your grand plan when you started writing RID? Did you have this time of peace on the re-born Cybertron well plotted out?
JOHN BARBER: Yeah, the big arc of the first year or so, definitely. It’s really about 16 issues that will get you a big climax to the story begun in issue 1. But not an end to the RID saga, I should add. That definitely keeps going!
Like I said, some of it changed a little, but the broad strokes are the same.
There were certain stories I wanted to hit—RID was never meant to be only about the political struggle. I wanted to have a story about somebody coming home trying to fit in on this world; a wilderness story; a story about the city surviving the changed environment of the planet. I feel like we did pretty well hitting those stories and still moving forward with a big, macro story about the power struggle in Iacon.
Well, everything with Prowl was planned from the outset, and his actions over the course of the series were very deliberate. I mean, everything he did had to map on to what he was pretending to do, and also on to what he was actually doing.

