Sparky Prime wrote:andersonh1 wrote:My main gripe with issue 0 (apart from Marz taking a shot at Hal fans with Kyle's internal monologue at the end) was the way Kyle blew up Oa without ever checking to see if anyone was living on the planet. He'd never been there before, and only saw a few square miles of the place, if he even saw that much. It still seems like a very reckless decision on Kyle's part.
I wouldn't say it was reckless on Kyle's part. Kyle clearly knew what Hal had done by then, and with the Corps destroyed it was a pretty safe bet Oa had been abandoned by then. And then there is the immediate threat to consider. Hal was literally about to start up the events of Zero Hour all over again once he got the power for Oa's core. What else could Kyle do but destroy the planet to prevent Hal from getting that power?
I'm sure that's what was going on in his mind, and that's understandable given what he'd just been through. But planets are pretty big, and he literally could have no idea if any living thing might be somewhere on the 99.999999999999% of Oa that he knew nothing about. At the very least, assuming the rest of the planet was deserted is a massive assumption on his part.
Anyway, Oa's been rebuilt and destroyed again since that point, and it probably will be again, so it doesn't really matter.
Back to the Golden Age Superman...
Action Comics #9
“$5000 dollar reward for Superman”
Whoever says there’s no continuity in these old books is wrong. It may be minimal, but sometimes one story does have consequences down the line. Superman’s rampage last issue has understandably stirred things up, so the police call in a detective Captain Reilly from another police force to arrest Superman for destroying the slums. Reilly is famous for always getting his man, though the city reporters laugh at the suggestion that Reilly will be able to find and capture Superman.
There’s a lot of plot in this issue, more than is perhaps normal for many of these old stories, so I won’t summarize it all. Suffice it to say that Reilly is looking to cash in on the reward for capturing Superman, and so is another city detective. The second detective actually witnesses Clark going into action as Superman, so he becomes the first person to be aware that Superman uses a disguise. This has no real long term ramifications to the series that I’m aware of, but it does play a part in the resolution of this story as both detectives figure out that Superman is someone at a ball that Clark Kent is attending, and they almost catch him. He’s saved by the greed of the detectives, and in the end, Reilly is forced to leave town having not caught his man. Not that catching him would do any good, since no jail is going to hold him anyway.
Overall: Superman is still an outlaw, which is always an interesting. And at this point in his history, there’s no one who can even challenge him, so he gets away with whatever he wants to do. It would be interesting to see how he would fare without the Clark Kent identity if that was taken away from him, and as this story makes clear, it’s not something he wants to give up.
Action Comics #10
“Superman Goes to Prison”
It’s another social justice storyline, and a good one despite some fairly cruel actions on the part of Superman. Clark Kent is sent to interview a man named Walter Crane, who it turns out is an escaped convict. He shows Clark some awful scars on his back as proof that he was tortured while in prison. Clark publishes the allegations, attracting the ire of Wyman, the superintendent of the prison, who travels to the Daily Star to demand that the charges be retracted, or else he’ll sue. He demands to know who Clark’s source is, and still playing the coward, Clark gives him up, earning him the scorn of everyone else in the newsroom. Clark manages to convince the editor that he did it to make Wyman overconfident, and that he proposes to head to Coreytown and expose the cruelty on the chain gang.
So, yeah, send poor Crane back to be tortured some more. Real nice of ya, Superman.
Clark arrives in Coreytown, switches to normal clothes and gets himself arrested. He’s sentenced to time on the chain gang, and he witnesses men being starved, or fed slop instead of decent food, or whipped to death, or put in the hot box. Crane escapes again and Clark returns him to prison for some reason, only to finally put a stop to the whole thing by forcing Wyman to confess everything to the governor, who promises to clean up the system in Coreytown.
Overall: Okay, letting Crane go through more torture just so he can get the goods on Wyman is more than a little cruel. And I’m not sure it was even necessary. But it’s hard not to cheer Superman on as he shuts down Wyman, who really is a loathesome character.
Action Comics #11
“The Black Gold Swindle”
Otherwise known as “Superman gets into the oil business”. A couple of swindlers named Meek and Bronson are selling worthless stock in an oil well and getting rich doing so. Superman decides to put a stop to that, so he empties his savings(!) and goes around buying up all the stock from the investors. Way to put your own money on the line, Superman. Good for you. He then heads out to the dry well and starts drilling for oil. Eventually he does strike oil, making the well valuable after all. When the two swindlers hear about that, they want to buy back the stock, only to find that Clark has it all, and he refuses to sell. They try to have him killed, but of course that doesn’t work.
Clark pretends that the attack has scared him, and he wants to get rid of the stock after all, so he sells it back to them. When Meek and Bronson go to inspect their oil well, Superman turns up and smashes the whole thing, making it worthless once more and ruining both men as retribution for how they tried to swindle so many other people.
Overall: I like the idea of Clark putting his own money on the line, though I wonder how much he would really have when his day job is being a newspaper reporter. Still, it’s amusing to see him take great delight in ruining two con-men.
Action Comics #12
“Superman Declares War on Reckless Drivers”
Oh my… psycho Superman is back, big time. Charlie Martin, a friend of Clark Kent, is killed by a “hit-skip” driver, or in modern terms, a hit and run driver. Superman decides that there is far too much reckless driving in the city and that the mayor isn’t doing anything to stop it, so he will. And by “stop it”, I mean that he spends the whole story terrorizing people and destroying property.
- He breaks into the local radio station, manhandles the on-air announcer and threatens serious harm to the producer if he’s cut off. He then warns everyone in the city that reckless driving is out of hand and he’s going to put a stop to it.
- He then busts out through the wall rather than using the door, leaving a massive hole in the radio studio.
- First stop: the impound lot where Superman proceeds to smash up all the impounded cars
- Next stop: the used car lot, where he accuses the dealer of selling inferior products, so naturally he destroys those cars as well
- Next stop: scaring a drunk driver to death so he won’t drink and drive again. Okay, that’s reasonable.
- Next stop: the Bates Motor Company, an auto manufacturer who made those inferior products. Guess what Superman does here? Hint: more wanton destruction is involved. That’s two people Superman has put out of business, unless they have good insurance. Not to mention all their employees. Way to look out for the little guy, Superman.
- Next stop: a road out of town has blind curves that are too dangerous. Superman levels the hills and straightens out the road. Okay, whatever floats his boat.
- He stops a policeman from taking a bribe not to write a parking ticket. Okay, that’s also reasonable
- And finally, he catches the mayor speeding, and forces him to visit the morgue to see the people killed by all the reckless driving so that mayor will feel compelled to do something about it.
- And it’s back to the radio station where Superman busts through the newly repaired studio wall to threaten the city again. Drive safe or else.
The story ends with Clark Kent getting a ticket for improper parking, which he is secretly pleased about.
Overall: This story is hilarious. Understand that I like this version of the character, so when I poke fun at him, I’m doing it affectionately. But I just crack up every time his solution to a problem is to go on a rampage of destruction. A few issues ago it was the slums, but now he’s terrorizing an entire city to make his point. Just when you think Superman can’t top one act of destruction, he goes and does something even more egregious. It’s just awesome.
Ads for other contemporary characters: the last panel of the story is an ad for the new character starting that month in Detective Comics: the Batman.
New York World’s Fair Comics #1
“Superman at the World’s Fair”
Okay, this story just didn’t grab me. The comic is obviously, as the title would indicate, little more than an advertisement for the 1939 World’s Fair. I guess the most significant thing about this book is that after a second issue of World’s Fair comics and an issue of being World’s Best Comics, DC finally settled on World’s Finest as the title of the series. It would become the Batman/Superman team-up book years later, but here it’s a glorified ad anthology.
Clark and Lois are sent to the World’s Fair to write up a story on it. That’s the plot, and anything else that happens is just incidental. Superman prevents two trains from crashing together. He finishes construction on an exhibit meant to help solicit funds to fight infantile paralysis, so there’s some charity solicitation going on as well. He rescues Lois from jewel thieves. And that’s about it. Nothing that happens is really related to the world’s fair. That’s just the setting. And that’s fine. The book does the job it’s meant to do.
Overall: Fluff to make the kids want to see the World’s Fair. Inoffensive.
The first year of Superman’s existence has been very different from what I’m used to. There are no supervillains, and Superman is not a cosmic or overpowered character at all. He’s a character who goes to bat for the little guy. This is also a Superman who has certainly caused more than one death, and who has no qualms about acting outside the law and scaring people half to death or threatening them within an inch of their life.
Situations in which he has intervened:
- stopping the execution of a person falsely accused of murder
- stopping a case of domestic violence
- kidnapping a munitions manufacturer and scaring him into ending his business
- forcing a mine owner to improve safety conditions at his mine
- helping the college career of a backbencher while stopping a betting ring
- assisting with the disaster of a burst dam and floods that result
- dealing with a scammer using Superman’s name and image for merchandising
- helping juvenile delinquents by dealing with their fence and demolishing the slums that they live in so the government will build new housing
- avoiding arrest by an out of town detective
- exposing prison cruelty and torture
- stopping the sale of worthless stocks
- dealing (harshly) with unsafe driving in the city
- going to the world’s fair and dealing with crashing trains, charity and jewel thieves
A lot of those storylines sound like they’d be better suited to other characters these days. Many of them are plots which would suit a more down to earth character like Batman. But early Superman seems to have been a character that Siegel and Shuster used as a sort of wish fulfillment character. The beautiful girl at the office rejecting the nerdy guy? The joke’s on her, he’s secretly a superhero. The rich getting away with whatever they like? No problem, Superman can put the fear of God into them and no one can stop him or do anything about it. Unsafe working conditions and an uncaring boss? Superman could handle that, easy. The whole premise behind the character seems to be something like “what would you do if you were too strong to be captured, too fast to be caught, and too tough to shoot?”
I can see the appeal. The character works well with this approach. It’s a lot of fun.
Action Comics #13
“Superman Vs. The Cab Protection League”
This is a story of two completely different halves. The story opens with what appears to be another social justice storyline, with Superman learning of a cab protection racket ruining the living of other cabbies. He goes in to bust it up and forces the men running the protection racket to destroy their own cabs. “You’re not hitting that cab hard enough. More violence!”
But then the story takes a weird twist, and we have the first super-villain for Superman to contend with in the form of the Ultra-Humanite. Reynolds, the guy running the protection racket, secretly works for him. This isn’t a terribly ambitious plan for a would-be world conqueror. First the cab companies, tomorrow the world, right? The Ultra-Humanite looks a lot like later depictions of Lex Luthor, which is to say he’s a bald mad scientist. Though when we actually get to Luthor, he’s a red-haired man in his first few appearances, so how he becomes the bald guy, I don’t know. The Ultra Humanite is also confined to a wheelchair, so we have the crippled brainy guy versus Superman’s brawn. Brawn wins out.
Ultra-Humanite knocks out Superman with sleeping gas, then tries to kill him by running him into a huge saw. The sawblade breaks on Superman’s head and a piece of the blade hits Reynolds in the throat, killing him. The Humanite tries to escape in a plane with his flunkies after setting the building on fire, but Superman revives and escapes (while worrying that the fire might kill him). He then leaps after the plane and smashes it, supposedly killing everyone on board. But there is no sign of the Humanite’s body…
Overall: I think the writers were going for a twist ending or something, but this is a story that just takes a weird left turn out of nowhere. If nothing else, we get our first attempt at an enemy who is more competition for Superman than the garden-variety thugs he’s been up against so far.
Superman #1
The first issue of Superman was largely reprints from Action Comics, with the only new material being a slightly expanded origin story, and an expansion of the story from Action Comics #1. That story opened with Superman carrying a tied-up woman to the governor’s mansion in an attempt to stop an execution. The expanded story goes back and tells us how Clark Kent first got his job at the Daily Star, and how he learned by chance that the woman was a murderer who had pinned the murder on someone else entirely. It’s not a retcon, but it does go back and fill in some missing details. The omnibus just prints the new material and then moves on to the next issue of Action without duplicating the reprinted material, which makes sense to me.