Re: Comics are Awesome III
Posted: Wed Apr 12, 2017 11:54 am
Aquaman #20
This storyline with Dead Water is pretty much a horror movie with superheroes, or a 60s "base under seige" Doctor Who plot. There's a small group of humans trapped in an isolated location, stalked by a monster, with a dark secret of some sort behind why the creature exists. They all try to stay alive while figuring out a way to stop it, and prevent any future creatures from being created. That's what's going on here, and the team of Aquamarines manage to kill Dead Water, who reverts to one of the base staff after death, while Aquaman and Mera head down into the water itself, passing prehistoric creatures as they descend. At the bottom of the pool of water, which Atlanteans can't breathe (so they've had to borrow scuba gear), they find what looks to me to be cracks with reddish light emerging. I'm honestly not sure what it's supposed to be, but I suppose that'll be revealed next issue.
Action Comics #977
The first issue post-Reborn gives us a few answers as to how Superman's history has changed now that he's merged with New 52 Superman, but it doesn't get very far down that road. He and Lois are both working at the Daily Planet, and there are some annoying hints that he's using old nerdy Clark persona, at least to some extent. After getting used to Lois and Clark enjoying a close, loving and mutually respectful relationship for the past two years, it grates a bit when she calls him "Smallville", though I suspect it's meant to be teasing rather than derisive. This feels like some regression in the wrong direction. Not that I mind a return to the Daily Planet and a more classic Superman setting for both Clark and Lois, but I have grown to enjoy their life on the farmhouse out in Hamilton, and I'm not eager to leave that behind.
In any case, despite life being good, and memories of the old timeline fading, Superman remains uneasy. He knows there was something other than Mxyzptlk behind the changes to his life, and he decides to head to the Fortress of Solitude to review his life. He reviews it via a sort of 3D holographic display where he's among the events, even though he can't affect them since they're just a recording. I didn't read a lot of Superman in the 2000s, but I have read both Birthright and Secret Origin, and I'm assuming that Secret Origin remains the official origin story, given the way Jor-El, Lara and other characters appear in the flashbacks. I thought it was a weak story myself, and I didn't like a lot of Birthright either. I still prefer Man of Steel by John Byrne myself, but I suppose that's long since been largely overwritten.
While Superman is reviewing his life, someone is sending out a holographic representation of himself to contact Superman's enemies, old and new. He starts out with Metallo, who still looks like a metallic skeleton, though the man promises to rebuild him. He also contacts Blanque, introduced during the 8-issue Lois and Clark series. We're building up to what we've seen in some of the previews, with all of Superman's major enemies banding together to attack him.
Titans #10
The issue is largely a knock-down fight between the Titans and the Fearsome Five, more enjoyable to read than to recap. The Five are about to drain away Nightwing's skills and Flash's speed powers, when the rest of the Titans arrive and are having a tough time with the fight when Bumblebee tips the balance, only for Psimon to steal part of her memories before the Titans can push back and win. The Five are sent to prison, and Nightwing tracks their sponsors back to another old enemy: H.I.V.E. Up next: Deathstroke, who someone has finally remembered is an old Titans enemy. Looks like a crossover between Titans, Teen Titans and Deathstroke is happening next month.
Hal Jordan and the Green Lantern Corps #18
It's interesting to watch the Sinestro Corps and the Green Lanterns as they continue their uneasy alliance, with a massive yellow power battery being constructed beside the main power battery of the Corps. Space Ape and the lava lantern vanish due to a temporal anomaly at the beginning of the issue, and it's not until the last few pages that the rest of the Corps learn about that. In the meantime there are lots of little character moments to enjoy, from Kyle encountering old girlfriend Soranik, to Guy and Arkillo apparently having reached an understanding, to John being determined to make the arrangement with the Sinestro Corps work without any delay. There's also a revelation that Hal and Kyle are not assigned to any sector, so they can troubleshoot, which makes sense.
And then at the end of the issue, Rip Hunter turns up in GL headquarters, wearing a Green Lantern ring and warning that the Corps has been erased from the future. Rip Hunter looks more like his "Legends of Tomorrow" actor than the old comic book likeness. Who knew? Yay synergy or something.
This is one of those rare issues in this series when none of the four human lanterns get the focus, but the entire ensemble cast gets some lines and some significance to the plot. This book seriously has more regular and recurring characters than just about any other DC book, and it's a lot to juggle, I'm sure. But I enjoyed all the little moments before we move on to the next storyline.
This storyline with Dead Water is pretty much a horror movie with superheroes, or a 60s "base under seige" Doctor Who plot. There's a small group of humans trapped in an isolated location, stalked by a monster, with a dark secret of some sort behind why the creature exists. They all try to stay alive while figuring out a way to stop it, and prevent any future creatures from being created. That's what's going on here, and the team of Aquamarines manage to kill Dead Water, who reverts to one of the base staff after death, while Aquaman and Mera head down into the water itself, passing prehistoric creatures as they descend. At the bottom of the pool of water, which Atlanteans can't breathe (so they've had to borrow scuba gear), they find what looks to me to be cracks with reddish light emerging. I'm honestly not sure what it's supposed to be, but I suppose that'll be revealed next issue.
Action Comics #977
The first issue post-Reborn gives us a few answers as to how Superman's history has changed now that he's merged with New 52 Superman, but it doesn't get very far down that road. He and Lois are both working at the Daily Planet, and there are some annoying hints that he's using old nerdy Clark persona, at least to some extent. After getting used to Lois and Clark enjoying a close, loving and mutually respectful relationship for the past two years, it grates a bit when she calls him "Smallville", though I suspect it's meant to be teasing rather than derisive. This feels like some regression in the wrong direction. Not that I mind a return to the Daily Planet and a more classic Superman setting for both Clark and Lois, but I have grown to enjoy their life on the farmhouse out in Hamilton, and I'm not eager to leave that behind.
In any case, despite life being good, and memories of the old timeline fading, Superman remains uneasy. He knows there was something other than Mxyzptlk behind the changes to his life, and he decides to head to the Fortress of Solitude to review his life. He reviews it via a sort of 3D holographic display where he's among the events, even though he can't affect them since they're just a recording. I didn't read a lot of Superman in the 2000s, but I have read both Birthright and Secret Origin, and I'm assuming that Secret Origin remains the official origin story, given the way Jor-El, Lara and other characters appear in the flashbacks. I thought it was a weak story myself, and I didn't like a lot of Birthright either. I still prefer Man of Steel by John Byrne myself, but I suppose that's long since been largely overwritten.
While Superman is reviewing his life, someone is sending out a holographic representation of himself to contact Superman's enemies, old and new. He starts out with Metallo, who still looks like a metallic skeleton, though the man promises to rebuild him. He also contacts Blanque, introduced during the 8-issue Lois and Clark series. We're building up to what we've seen in some of the previews, with all of Superman's major enemies banding together to attack him.
Titans #10
The issue is largely a knock-down fight between the Titans and the Fearsome Five, more enjoyable to read than to recap. The Five are about to drain away Nightwing's skills and Flash's speed powers, when the rest of the Titans arrive and are having a tough time with the fight when Bumblebee tips the balance, only for Psimon to steal part of her memories before the Titans can push back and win. The Five are sent to prison, and Nightwing tracks their sponsors back to another old enemy: H.I.V.E. Up next: Deathstroke, who someone has finally remembered is an old Titans enemy. Looks like a crossover between Titans, Teen Titans and Deathstroke is happening next month.
Hal Jordan and the Green Lantern Corps #18
It's interesting to watch the Sinestro Corps and the Green Lanterns as they continue their uneasy alliance, with a massive yellow power battery being constructed beside the main power battery of the Corps. Space Ape and the lava lantern vanish due to a temporal anomaly at the beginning of the issue, and it's not until the last few pages that the rest of the Corps learn about that. In the meantime there are lots of little character moments to enjoy, from Kyle encountering old girlfriend Soranik, to Guy and Arkillo apparently having reached an understanding, to John being determined to make the arrangement with the Sinestro Corps work without any delay. There's also a revelation that Hal and Kyle are not assigned to any sector, so they can troubleshoot, which makes sense.
And then at the end of the issue, Rip Hunter turns up in GL headquarters, wearing a Green Lantern ring and warning that the Corps has been erased from the future. Rip Hunter looks more like his "Legends of Tomorrow" actor than the old comic book likeness. Who knew? Yay synergy or something.
This is one of those rare issues in this series when none of the four human lanterns get the focus, but the entire ensemble cast gets some lines and some significance to the plot. This book seriously has more regular and recurring characters than just about any other DC book, and it's a lot to juggle, I'm sure. But I enjoyed all the little moments before we move on to the next storyline.