You are not seeing past your prejudices. Where are we in the current story? Oh yeah, the crew is traveling through time to stop a madman who may be a double-agent or may be trying to change history for the perceived "betterment" of his people by killing Megatron, but may be underestimating the positive changes that the revolution of the Decepticons under Megatron created in Cybertronian society, much less ignoring that his mission may cause the very uprising he seeks to undermine. All about teh feelz is pretty fucking far afield from that. What was the past storyline? Oh, how a maniac "good guy" stole a planetoid and was using it to judge all who do not meet his insane definition of correctness. And in the interim there was a story about an entirely unrelated group of battling, transforming robots had infiltrated their ranks. Stories of faith, of loyalty, of duty, of discovery, of the spirit of adventure, that's what MTMTE has been. I deny you even one shred of this derision of yours, it's utter shit that falls into the blindest of fan opinions.Dominic wrote:Roberts needs to work on ideas more than "teh feelz" though. He does good character moments. But, I am not sure how much he has had to say since "Last Stand of the Wreckers" (which he co-wrote with Roche). Like Bendis, he is readable. But, I tend to think of ideas as an extra in his work, rather than the focus.
You used the word "just" in the context - Roberts is just building a portfolio and a fan-base - which suggests he has nothing but ulterior motives here, no investment or interest. By saying it that way, you can't argue it was cynical and derisive... well, you can try to argue that, but you'll fail.How so? I am not saying there is anything wrong with what he is doing. TF is a good book to build a career from. Roberts can cultivate readers from a pre-existing fan-base. And, hopefully, they follow him to other projects. Nothing wrong with that at all. (I think you are seeing me as more cynical than I am on this front.)
First off, I'll refer you to my first paragraph in this post, I think it informs here as well.Anderson wrote:Some things that are important and dramatic in real life don't make for good fiction. Yes, drama is built around conflict. But not all conflict in drama is interesting, and watching Transformers fight over what they do and don't have a right to turn into and how that used to affect their society millions of years ago just isn't very compelling. The fact that its' an old problem adds to that. It's not really relevant to modern day Transformer society. It's like me complaining about the social pecking order from when I was in high school. Yeah, it affected me back then and I can remember it, but it's long since in the past. It would make no sense to keep going back to that again and again.
Secondly, this isn't high school pecking order, this is the very foundation of prejudices and beliefs and disagreements that drive the Cybertronian people. People are killing each other, even martyring themselves, over these beliefs in these stories. Yeah, they're told from personal perspectives, but that doesn't undermine the overarching story they create. They define why Megatron rebelled, why Decepticons followed him to destroy, why some bots don't like others, why there's robobigotry and robokinship. It is their foundation, it is a warning of who they were and may become again. It helps define the differences between factions.