Dominic wrote:It is trivial in the sense that it does not automatically make fir good comics.
The disguise element falls apart pretty quickly after even a little scrutiny (which good comics would obligate). IDW's early run focused on how the disguises were flawed. This was mostly illustrated by virtue of the TFs not behaving according to their disguises. But, it would be an issue with various other types of observation (checking weight or density of a subject).
The 'disguise' aspect is one I'm less attached to than just the transformation itself. 'Beast Wars' integrated transformation well, including in battle scenes, for some very unique elements unlike what you could get in other 'Boys toys' cartoons. 'Beast Machines' made masterful use of transformation as a plot point on multiple levels. Both those shows were great, they didn't shirk the concept out of contempt and then scorn the audience for wanting it.
Why is it such a problem if the concept is lost or the property changes as long there are still good comics (or whatever) coming out of it?
Because the entire point of stories from different franchises and genres is so we can get entertainment with different elements and parameters? A good story can come out of literally anywhere, and I can get it from anywhere. It's why I try new comics, new shows, etc. But there are franchises I am a *fan* of that I come back to because I enjoy specific elements of them. Kamen Rider and Super Sentai tell some great stories, of varying types and ideas, but each installment ALSO includes kickass transformation scenes into nicely-designed suits for well-choreographed battles using fun-looking toys and silly special effects. If they excised that element, I'd probably leave the series, since that's something they offer that I can't get from, well, pretty much any story.
In the same way, a lot of my love of TF is in seeing the robots and their transformations demonstrated in interesting, engaging ways. Without that, I have less reason to engage the story, since there's less defining or 'special' about it then. Stories about civil wars, or featuring robots, or in the case of MTMTE, about lovable assholes snarking at each other in space, are not hard to come by in the macrocosm of fiction.
I like TFs as toys. I get them as those first, generally. So when I see a new Transformer appear in media, my first questions are immediately: "What does that one turn into? How does it work?" (The War Within delivered viscerally on this level with Figueroa's designs for it, it was wonderful). Isolating things somewhat, I think a big point I've been sticking to on MTMTE since its 'Second Season' began is Megatron: Autobot Megatron was THE concept they sold me on to give this series another chance, and part of that was this big, kickass new Autobot body he's got, and they STILL won't show us what he transforms into and it is *driving me fucking insane*. And not only will Roberts not show me what he transforms into, he goes and tells me what a monster I am for caring what he transforms into. Fuck you too, dude!
The other side of it is another bout of the ol' Crippling Fear Over The Line's Direction(TM), being that there are SO many people reading MTMTE who think this is what Transformers is 'supposed' to be, and that absolutely terrifies me. These are people who would want a new Brainstorm toy in the exact opposite of what we got: Instead of a cool transforming spaceship with some guns and a little detachable head-robot guy and a flip-out data readout, they'd want just a static, untransforming action figure with a briefcase accessory. A boring piece of shit like that? No, hell no. Those people have no idea why Transformers are really cool and they need to stay the hell away from my toyline.