Onslaught Six wrote:My point is that, yeah, BW has the characters emoting and it has capable voice acting. Uh, when did that kind of thing stop being *standard* and *expected* of shows? Why is BW instantly OMG AWESOME because it did...what every other cartoon in 1998 was doing? (And it has to be 1998, because BW didn't even get that good until Season 2.)
Hmm, I think that stopped right about when poorly dubbing shitty anime and churning it out as cheap advertising for franchises became the norm, there. And it spawned a generation of people who loved it as kids, then realised it sucked and the original Japanese versions were much better thanks to not being poorly dubbed, preached the glories of Japan, then realised that a lot of animation is crap no matter what language it's in, and settled for picking and choosing the good bits. Oh wait, that's you guys! Heh heh.
I can agree that BW was above the average for the time, as I saw a good many 90s cartoons. But, the average was pretty low. Yeah, there was some good stuff, like "Batman: The Animated Series". But, this was also the decade that gave us "Street Sharks", "Gargoyles" (which Disney lacked the intellectual capital to handle correctly), "GI Joe Extreme", and "Exo Squad" (wow, a WWII parable where the good guys fight so stupidly I wind up rooting for the Nazi-proxies).
Really, Dom? Gargoyles? I always thought that was remarkably above par, and brought in some fantastic historical elements that inspired, in me at least, an early appreciation for them.
- o86, who seriously did first discover Shakespeare's Puck via Gargoyles, and loved Street Sharks like others loved TMNT.